Summer Practice Routine
In this blog post, Gekker outlines his personal summer practice routine so you can try it out yourself. There is no better time to get in shape than the dog days of summer. Check it out right here.
French Horn Prime Day 2021
Dearest qPress fans, much to our dismay, Amazon cancelled October Prime Day at the last second. BUT, since we already had some huge promotions planned, why should you guys miss out?
Mark Gould On Music Endorsements
Read endorsements by Jens Lindemann, Chris Gekker, Michael Sachs, Ben Wright, and more for Mark Gould's new book "Gould On Music: Playing, Studying, Teaching, and Planning for the Future."
“Strategically Designed Warm Ups” Review
Read endorsements by Jens Lindemann, Raul Agraz, Brian McDonald, Chip Crotts, Rick Rangno, Greg Wing and more for Paul Baron’s “Trumpet Voluntarily, Strategically Designed Warm-Ups”.
“Trumpet Voluntarily” Endorsements
Read endorsements by Chris Gekker, Arturo Sandoval, Wayne Bergeron, Eric Miyashiro, Jim Ross, John Daniel, Gary Guthman, Chase Sanborn, John Blount, Doug Michels, and more for Paul Baron's "Trumpet Voluntarily".
Making Charlier’s “Thirty-Six Plus”
Read the publisher's foreword from Charlier's 36 Plus, a new Grand Method based on the writings and teachings of Théo Charlier for the Trumpet, with contributions from world-class musicians.
Low Brass Has Arrived at qPress
The qPress mission expands to low brass music. We plan to bring every book ever written for the trombone, tuba, and baritone back into print, one edition at a time. Read all about it, right here.
Making Old New Again: Our Process
Do you want to learn how we do it? Click above to take a look, we take you through it step by step. If a book has stood the test of time and is a part of our rich history why not try to preserve it?
ITG Review of qPress
"Technology is the “wave of the present” and can extend the experience of students far beyond the time and space limitations of conventional materials." - Raquel Rodriquez | ITG Journal
qPress: Supporting New Music
Simply put for composers, if you make something available it won't necessarily be played. Conversely, for musicians, finding new music that matches your taste can become a long-term project.
