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Raymond Sabarich’s Ten Concert Etudes & Interpretation Studies are renowned for their complexity. It is shocking that these have been out of print, seemingly gone from the catalogue as soon as they were added, even though they have been heralded by many as some of the finest studies ever written for the instrument and have been recorded multiple times by some of today’s finest players.
At qPress they are back in their entirety, with the foreword translated into English for the first time ever by Timothy Quinlan. I have included the complete first etude in the samples so you can give it a try, and a full PDF download can be obtained from the link above. Don’t hesitate, a find like this does not come around very often.